After becoming embroiled in a dispute with Motown Records during 1967, the songwriting and production team of Lamont Dozier and brothers Eddie and Brian Brian Holland left the label in 1968. Motown sued Holland, Dozier, Holland, who countersued Motown. Like all litigation, things were getting messy and expensive. Motown played hardball. This is no wonder, after all, they were losing one of their most successful songwriting and production teams, who provided hits for The Four Tops and Supremes etc. However, during this dispute, Holland, Dozier, Holland were unable to write their own material for the best part of a year. With one eye to the future, HDH decided to set up two new labels, Invictus and Hot Wax. While Holland, Dozier, Holland set up Invictus and Hot Wax, there was one problem looming on the horizon. Due to the legal dispute with Motown, they were unable to write their own material for the best part of a year. Despite being legally unable to write new songs, they found a way around this. They used pseudonyms. Nowadays, this wouldn’t wash. They’d have found themselves back in court on a charge of contempt of court. Things, however, were very different back then. So legally, all HDH could do was production. Now given they were one of the best production teams of that time, this wasn’t exactly a hardship. Despite their indisputable track record of critical acclaim and commercial success, the naysayers wondered whether Holland, Dozier, Holland could replicate their earlier success at Motown. Critics wondered whether HDH could make it on their own? Their doubters and critics wondered whether they could only prosper within the rarified confines of Motown. Soon, HDH had defied their critics, and were producing and later, writing scores of hits for artists. Freda Payne, Chairman of The Board, Eloise Laws, The 8th Day and 100 Proof (Aged In Soul) all gave HDH the critical acclaim and commercial success they’d enjoyed at Motown. They’d proved their critics wrong and were back, where they’d been before the bitter litigation began, at the top.And the rest as they say is history! Backbeats dod make a mistake on the time of track 1,its actually 3:03 mins.
AMM
The Taster!
Tracks Below (FLAC)
21 comments:
Some rare tracks in this comp... thanks for the review AMM
BigD
Many thanks for a great comp review MM.
cheers,ELtel
Thanks AMM - so much legal drama!
Wonderful collection of gems ! Thanks a lot !
Thank you for the review AMM, Great gems in this compilation
Hi, AMM. I'd like to know more about this. Cheers.
This one looks good, many thanks for the review.
Excellent selection of major labels from Detroit.
Yves
thanks you for this compilation. thank AMM
i like these 70s detroit stuff also thanks much AMM!
Thank You AMM For The Detroit Gold
Thank for double drop to get by on Tuesday
Thank u for this review AMM
Many thanks for the provision of this comp AMM
Thanks for this fine compilation and the info to go with it Reb
This is a really wonderful compilation, which nobody should miss. Thanks for review, P.
The 8th Day and Satisfaction Unlimited are really soothing to my soul hungry soul. Very nice review AMM. I'm sure your vaults are full of Back Beats cd's. I can't wait to review them all!!!
I keep finding gaps in my collection! Most of it is down to YOU!THANKS!!Another one!!
Thanks for the review
Thanks for the insight into the power that Motown had never the less HDH made a success and delivered some of the great soul sounds thanks All Music Man
Cheers Pedro
very informative review AMM Satisfaction Unlimited' s Lets change the subject is a gem
Post a Comment