In the years following saxophonist John Coltrane's death and the related opportunities to perform and record the New Music stateside, a significant body of musicians relocated to Europe, to ply their art in a more receptive atmosphere. Reedman Byard Lancaster was one of the second wave of American free jazz musicians to relocate to Paris in the late 1960s, recording and gigging as part of drummer Sunny Murray's Acoustical Swing Unit and leading his own ensembles with musicians like pianist Francois Tusques, conguero Keino Speller and Congolese guitarist Francois Nyombo. But Lancaster always maintained a connection to his hometown of Philadelphia, as well as a staunch commitment to playing music that was both avant-garde and decidedly "for the people" hence his oft-repeated tagline "From A Love Supreme to the Sex Machine." Lancaster and vibraphonist Khan Jamal were the artists primarily represented on the Philly free-soul label Dogtown, which released three titles before disappearing into the record collecting ether. The Sounds of Liberation was a collective ostensibly creditable to both Jamal and Lancaster; joining the proceedings are bassist Billy Mills, guitarist Monnette Sudler, drummer Dwight James and percussionists Rashid Salim and Omar Hill. Sudler, Mills and James also appeared on Jamal's excellent psychedelic free-funk fantasia, Drum Dance to the Motherland (Dogtown, 1972) which i have plans to post up in due course. Sounds of Liberation's sole LP, New Horizons, is the rarest of the Dogtown series; The band appeared on the scene long enough to play opposite Kool and the Gang at the 1974 Miss Black America pageant, before petering out by the late 1970s. Lancaster's alternately syrupy and feral alto saxophone is at its best when supported by a tight ensemble situation. The Sounds of Liberation is a decidedly loose outfit, but reliant on massive and relentless vamps that at their most open offer the kind of support that gives compulsion to the sound.
This is an absolutely wonderful slice of border-trouncing improvised music from the Philly jazz heyday. This is a Limited edition of 300 copies...So Dog Rare!
AMM
The Taster!
Tracks & Line Up Below (FLAC)
18 comments:
Thanks AMM. Dog Rare (?) is a whole new animal to me.
This looks an interesting listen AMM
thanks Reb
Thanks for this rarity!
Why not ? Unknown band for me !!
Yes please, AMM. Sounds like a winner. I've got Sounds Of Liberation - Unreleased (Columbia University 1973) if you're interested.
Good music to listen and enjoy. Never seen or heard of this group thanks AMM
i also have the other SOL arty,but thx for the offer my friend.
This is a new one for me. Like the taster. Thanks for another great review!!!
Great rare jazz funk,Thank you AMM
Very nice AMM, it's also new to me. Thanks for the review!!
Sounds good this review thanks AMM
thanks for this another rare jazz-funk your best AMM!
Great cover, great LP, great music! Thanks for review, P.
Well with Art Webb and another favourite Khan Jamal,it`s got to be good! Thanks for introducing it to me!
Many thanks for the FLAC of the incredible album,I request:
Sounds Of Liberation- September 2006,show at La Villette
https://lebongroin.mediatheques.fr/#album&docid=367337
https://pad.philharmoniedeparis.fr/doc/CIMU/0802746/jazz-a-la-villette-2006-sounds-of-liberation-orchestra
Jazz à la Villette 2006 : Sounds of Liberation Orchestra : concert enregistré au Trabendo le 07 septembre 2006 (22h) / Sounds of Liberation Orchestra ; Monnette Sudler, guitares, voix, sanza ; Byard Lancaster, saxophone, flûte, clarinette ; Khan Jamal, vibraphone, marimba ; Pheralyn Dove, spoken words ; Charles Beasely, basse ; Dwight James, batterie ; Omar Hill, percussions, 1h 49 min 2 sec
Thanks for the review AMM new to me
Thanks for the review AMM certainly new to me another test for my ears to be accustomed to this sound Thanl AMM
Cheers Pedro
This review looks interesting gracias
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