Tuesday, January 31, 2023

Barrett Strong - The Complete Motown Collection (2004) + Mini Booklet - Rare R&B/Soul (FLAC)

It said something about the status of Motown Records in America in 2004 that U.S. listeners had a 12-song compilation of Barrett Strong material, while in England Spectrum/Universal released this 22 song collection with ten of the tracks previously unreleased anywhere in any form covering his complete Motown history. This CD was the result of a thorough vault search, and those ten previously unreleased songs aren't second rate indeed, "Tell All Your Friends" and "Believe It or Not" (the latter an excellent guitar showcase, incidentally) may well strike some listeners as lost potential singles, and most of the rest are not far behind. The audio quality is excellent and the annotation thorough within the limits of what is actually known about these sides (and that isn't much as early Motown session records having vanished perhaps destroyed). Barrett Strong was there for the very early days of Berry Gordy's Motown empire, but his sound bears no resemblance to the later smooth soul stylings that dominated the label's output. He was a R&B rocker all the way. His most famous song is Gordy's first smash hit, "Money (That's What I Want)" from 1960 on the Anna label. The rest of the disc contains some solid R&B ballads like "Oh Yes I Apologize" and "Do the Very Best You Can" and Strong's powerful, raw rockers like "You Knows What to Do," "Yes No Maybe So," and "Let's Rock." The collection's highlights are a couple of songs, the bitter and tough lament "Two Wrongs Don't Make a Right" and the haunting Steve Mancha penned "Misery." From the sound of these two songs, Strong had what it took to be a fully fledged Soul Man. Sadly, however, his career behind the microphone stalled quickly and apart from "Money (That's What I Want)," he has been forgotten. It took until 2003 for a Strong compilation to be available in America. Too bad it is on the skimpy side, poorly packaged and liable to be overlooked by R&B and soul fans. Motown proper should have undertaken this project and made it a big deal. Barrett wouldnt record again till 1973 when he released a 45 on epic with 20 more 45,s to follow on and only recorded 4 more studio albums,2 on Capitol & one each on the Coup & Blarritt labels. A very gifted man who will be sadly missed...All his northern dancers are included........A Music Legend !


AMM

                                                                      The Tasters!






Kent 389 - Various Artists - Pied Piper Presents A New Concept in Detroit Soul (2013) + Booklet - Rare Soul (Flac)

 As a young Soul fan in the early seventies I was always keen to learn as much as I possibly could about Soul. I listened to people, read Blues & Soul and especially listened to anything I could and tried to memorize record labels. One record that I loved, I did not have "Change Your Ways" by Willie Kendrick, it was also on a super cool RCA white promo. One of my older friends had a copy and he often let me look at it and I was always intrigued by the words "A Pied Piper & GWP Production", interesting stuff that. At the time I was unable to find anything about it. It was also on another RCA favourite of mine "Man Without A Woman" by Michael & Raymond and a couple of Lorraine Chandler singles. I was going to do a Pied Piper post on my old blog back in about 2007 but never got around to it so when Kent released this first of the Pied Piper series in 2013 I was in Soul heaven. There are 4 Kent Pied Piper CD's and a couple of others featuring many Pied Piper Productions. The booklets tell the story of Pied Piper better than I ever could, enjoy the series

Oldsoulrebel















Robert Knight - Everlasting Love (Expanded Edition) (1996) Collectables - Rare Soul (FLAC)

Robert Knight was born Robert Henry Peebles in 1945 in Franklin,Tennessee and passed in his home state 2017. Robert is destined to remain classified as a one-hit wonder, but what a hit, his radiant 1967 blockbuster "Everlasting Love" endures among the finest soul records of its era. Success with "Everlasting Love" was overshadowed, in the U.K.by the version recorded by the pop group Love Affair who topped the U.K. charts with their cover of the song. Knight first earned notice via the Paramounts, a harmony group he formed with schoolmates in 1959. Upon signing to the Dot label a year later, the quintet scored an R&B chart hit via 1961's "Free Me." When a series of follow-up efforts failed, the Paramounts dissolved, which prompted Dot to file a breach of contract lawsuit. The subsequent legal wranglings effectively shelved Knight's musical aspirations for close to five years, during which time he studied chemistry at Tennessee State University. There he also formed a new vocal trio, the Fairlanes & while performing with the group, Knight was spotted by songwriters/producers Buzz Cason and Fred Foster, who signed him as a solo act to their fledgling record label Rising Sons. Cason teamed with Mac Gayden to co-write "Everlasting Love" with its soaring arrangement and Knight's heartfelt vocal, the single was an immediate smash, reaching the Top 20 on both the pop and R&B charts. Back in the states he scored a pair of minor pop hits with "Blessed Are the Lonely" and "Isn't It Lonely Together," and in 1973 reached the British Top Ten with "Love on a Mountain Top." Knight nevertheless shifted his focus away from music in the decades to follow, continuing his career in chemical research. In November 2017, he died at his home in Tennessee at the age of 72. "Everlasting Love" remains a perennial, with hit cover versions by Carl Carlton, Rex Smith/Rachel Sweet, and Gloria Estefan. But the interesting side of his story was when the northern scene picked up on "Branded" and started to hunt out any other dancers by him. Well this CD has the lot!..most of the album are great dancers and his sweet voice delivers every track to perfection. Only 2 albums released "love on a mountain top" (1974) in Europe only and "Everlasting Love" (1967) + 26 x 45,s is all he did. This album captures the cream of his career IMHO.

AMM

                                                                        The Tasters!





Kent 429 - Various Artists - Pied Piper Follow Your Soul (2015) + Booklet - Rare Soul (Flac)

 The second of the Kent Pied Piper series. Again a mixture of released and unreleased Pied Piper productions there are some excellent tracks on this CD including the stunning "Voo Doo Madamoiselle" by September Jones. Detroit Soul at its best, outstanding

Oldsoulrebel



The Tasters















Monday, January 30, 2023

Barrett Strong R.I.P Motown trailblazer and hitmaker, dies at 81 January 29th 2023

 

 He sang the label's first major hit, Money (That's What I Want), in 1959, and went on to co-write classic songs like I Heard It Through the Grapevine, War and Papa Was a Rollin' Stone.Those hits were "revolutionary in sound and captured the spirit of the times", Motown founder Berry Gordy said in a written tribute to the musician. No cause of death has been disclosed. "Barrett has left his indelible stamp... on music history," said Temptations founder Otis Williams in a statement. "Our Motown family has lost a beloved brother and extraordinary songwriter."Gordy added: "Barrett was not only a great singer and piano player, but he, along with his writing partner Norman Whitfield, created an incredible body of work. "Barrett is an original member of the Motown Family and will be missed by all of us." Strong was born in Mississippi and grew up in Detroit, where he sang and played piano with his four sisters in The Strong Sisters, a gospel group.While touring local churches, they befriended soul stars such as Jackie Wilson and Sam Cooke."My sisters were very pretty girls, so when all the singers would come to town, all the guys would stop by my house," he later recalled. "I'd play the piano and we'd have a jam session."He was just 18 when he agreed to let Gordy manage him and release his music.Within a year, he had a million-selling single, "Money", which was subsequently covered by The Beatles, The Rolling Stones and the Flying Lizards.According to Strong, the song began with its infectious piano riff, which he dreamed up during a spontaneous recording session at Motown's Hitsville headquarters."I just happened to be sitting there playing the piano," he told the new york Times in 2013 "I was playing What'd I Say, by Ray Charles, and the groove spun off of that."Everybody said, 'What was that?!'" he recalled. "They said, 'Let's write some lyrics,' and we had a song."With its opening refrain, "The best things in life are free/But you can give them to the birds and bees", Money was an instant hit, shooting to number two on the US R&B chart and number 23 on the Hot 100.The success provided Gordy with vital capital to expand his operation, and Motown went on to transform US music, breaking down racial barriers as it went. However, Strong spent years fighting the label for his share of the song's royalties, after they removed his name from the credits. (Gordy claimed he had written the song, and that Barrett's credit was a "clerical error")...Yea right berry, we belive you, you greedy man!Money was Strong's only hit as a vocalist, albeit one that kept him on the radio for more than 60 years.He later said he was happy to retreat behind the scenes."I never felt comfortable with myself as a recording artist," the father of six told Billboard magazine."I had to work to support my family. I'm not looking for the spotlight and all the glamour and stuff like that. I just like to work in my studio and see what we can come up with."In Motown's back rooms, he teamed up with producer Norman Whitfield, with whom he wrote some of the label's most cherished singles, including Ball of Confusion, Just My Imagination (Running Away with Me), I Wish It Would Rain and Wherever I Lay My Hat (That's My Home).Many of their songs had roots in political activism. Edwin Starr's War, for example, was inspired by Strong's cousin, a paratrooper who was badly injured in Vietnam.I Heard It Through The Grapevine, meanwhile, took its title from the days of the US Civil War, when the "grapevine telegraph" was a system of communication used by slaves.Strong heard the phrase on the streets of Chicago and took it to Whitfield. Together, they worked it into a song of epic romantic betrayal.Smokey Robinson's Miracles recorded it first, in 1966, but Gordy decided not to release it. A year later, Marvin Gaye cut his own version, but it was also vetoed. It was only when Gladys Knight & The Pips sped the song up, putting a lighter spin on its aching melody, that it got the seal of approval.Their version reached number two in the US in 1967; and Gaye's dark, hypnotic reading of the track was buried as an album track - until E Rodney Jones, a DJ at Chicago's WVON radio station put it on air. After the song aired for the first time, Jones told Motown marketing man Phil Jones that "the phones lit up". It was released 11 months after the Pips' version and became Motown's biggest-selling single, going to number one on both sides of the Atlantic."They didn't think it was a hit record," Strong later recalled. "You know how it goes: They say, 'We don't like that,' but when it's a hit, everybody takes credit.".In the 1970s, Strong and Whitfield pushed Motown towards more experimental sounds, notably on the psychedelic soul classics Cloud Nine and Psychedelic Shack, both by The Temptations."Looking back on that whole period, I would say that the album I most felt proud of was the Temptations' Solid Rock [1972]", he told Blues & Soul magazine in 1975. "At the time, Norman and I were really into that sound and we were first to really capture it."Of the songs I've written, I'd say that Grapevine and Papa Was A Rolling Stone are my personal pride. Papa earned us a Grammy so we were especially proud of it at the time."In addition to the Grammy, Strong was also honoured with a Lifetime Achievement Award from the National Association of Songwriters in 1990 and a Songwriters Hall of Fame induction in 2004.He left Motown in the 1970s and made a handful of solo albums. In 2010, he released Stronghold II, his first album for 30 years, while his music can still be heard on London's West End in Motown: The Musical.After suffering a stroke in 2009, he moved to a retirement home in Detroit, where a jukebox often played his songs in the recreational area.True to his signature song, he said life as a musician "means more than money"."Money has its place. But you've got to do more than just have money. When you go to bed at night, you've got to live with yourself," he told the Detroit Free Press in 2019."I did something. I did my part, what I was put on this Earth to do."I made people smile. I made people have babies. I made people do a lot of things. So I contributed something to my being here."...I will be posting an album up tomorrow..Another legend passed sadly.

AMM




Chris Clark - The Motown Collection (2005) 2 x CD Motown-Universal + Booklet + Xtra Bonus Track - Rare Soul (FLAC)

One of only a few white female artists to impose her talents in the Soul genre. She was tall, platinum blonde, blue eyed and stunning in her day, with a soulful voice as was Dusty Springfield. Born in 1946 in California she was influenced by the likes of Etta James and Billie Holiday and, although the multi-talented Chris Clark never had a hit, her recordings made her a cult favorite among aficionados worldwide. Chris is one of a small number of White performers who recorded for the Motown label during the Sixties. Her records are sought after, and much appreciated by the Northern Soul fan base within the scene as she recorded many great dance tracks. Chris joined Motown Records as a receptionist in 1964. Her singing career originally began on the nightclub circuit in and around San Francisco. Her vocal stylings led her to becoming fondly nicknamed 'The White Negress' by British fans. But read the booklet its all there for you to digest! Universal made a blunder by not including her version of Frank Wilsons "Do I Love You" so ive included it here as an Xtra bonus listed under back cover.

AMM

                                                                       The Tasters!








CD2 - 26 Do I Love You (Indeed I Do)

Pat Brown - Equal Opportunity (1996) - Ace Records (USA) - Rare Soul (FLAC)

Beautiful album exquisitedly executed by the obscure Pam Brown & Released by Ace records out of Jackson, Mississippi not the london outfit. Although this label is in jackson nearly all their material is New Orleans based music. Pat was born in meridian Mississippi in 1949 and passed away in Jackson Mississippi 2019. Not a very well known artist in the soul world as only 5 studio albums recorded. This was her debut album and she duetted with Willie clayton on the second track. The Meridian native, 69, started her singing career while attending Harrison Junior College, where she joined a group called The Dynamics which later changed to The Commodores. This album gained a lot of attention due to her unique tone and vocal range. Brown received her inspiration from artists like Aretha Franklin and Ann Pebbles. She worked and toured with Jimmy Breedlove known to most soul fans. Not played this in a long time till a request for it came rolling in. Thanks to Hakase for back cover.

AMM

                                                       **********REQUEST**********
                                                                       The Tasters!



Various Artists - GSCD 199 - The Northern Soul Experience (2006) Goldmine Soul Supply + Mini Booklet - Rare Soul (MP3) HQ

 Long deleted album from the guys who never released a thing legally (Allegedly)..yes you heard it right, they never obtained licensing from any usa artist or label with i think 2 exceptions being the albums they got from Weldon Arthur McDougal III, the owner of phillys harthon label..but what do i know ? (quite a lot actually...or Allegedly not)...That said the albums they banged out were in demand and classy rare records that northern fans would kill for, then Kent came along to compete Most of the albums were made up of 45,s recorded direct to Disc and if you listen carefully to the CD,s on this label (if you actually have any) the pops and crackles give the show away on some of the records. but i,m not here to slag anybody off,people do what they have to do to make a buck, and from the punters point of view they were desperate just to have a recording of their most wanted 45,s so goldmine stepped in.  I Had a request for this, and seeing as i have the entire catalog(200+ CD,s why not! I wouldnt dream of ripping them to Flac as the sound quality on some is dodgy to say the least..The entire series has been posted on other blogs over the years but if theres still a demand i can review the lot,as really there only boots!..great CD,s but really boots! As a certain music journalist quoted... " Goldmine has released over 200 CDs of northern soul, whilst occasionally accommodating Funk and Modern (70s/80,s) Soul. I don't know how legitimate the material is as it is incredibly obscure and quality is not great but tracking the licensees is close to impossible, I'd imagine.... .....(Kent had no trouble in doing so m8 ?)..... But I'm grateful, as I would not hear the material otherwise"...Hmmm... Strange the guys at Ace/Kent over the years have released countless albums on Vinyl & CD and done it the right way so the artist (or estate if deceased) and label/copyright owners were paid in full,and they (Ace/Kent) still manage to make a healthy profit or Ace/kent wouldnt still be releasing any albums today...adds up doesnt it ? Back to the album and yes there are some corkers on here,just to mention a few...Great version of "Stoney face" by Vicki Nelson that sits up there with Mary love (Modern) & Barbara & The castles(Ruby-Doo) versions, George Jackson,s killer "Dont use me" (Mercury) and a fave of mine by the obscure Tony Carmen who wants to tell us about "Quiet Mary" released on the tiny Trident 45 (yes i still have my demo copy...40 cents it cost me!) Still so rare there,s no youtube clip for this fab impressions sounding gem...And Bettye Lavette,s gem "Almost" on Karen, the same song on the same label released by the wonderful Jimmy Delphs...both stunning records,but i,m biased towards Bettye, uncrowned queen of Detroit!...but i,m not here to bore you to death..am i ?..lol!.......so on with the review..damn this is a good CD!..Ive picked 5 of my faves i used to dance my arse off to and i hope you enjoy these fab records!...ah those were the days when i could dance...lol!

AMM


                                                            **********REQUEST**********

                                                                    Those Mighty Tasters!






Kent 141 - Rare Collectable and Soulful (1997) + Booklet - Rare Soul (Flac)

 A collection of released and unreleased tracks from the RCA. As a long time collector of Soul on RCA this Kent release was like a gift from the gods. Not a bad track on here, enjoy Many great Pied Piper Productions on here.

Oldsoulrebel






Kent 156 - Rare Collectable & Soulful - Vol. 2 (1997) + Booklet (Flac)

 Volume 2 from Kent of a collection of RCA Soul recordings both released and unreleased. Note that as on Vol 1 many of these are Pied Piper productions from Detroit. Fantastic stuff, as good as any sixties some music and many of these tracks are beloved on the Northern Soul scene here in the UK.

Oldsoulrebel



The Tasters!












Sunday, January 29, 2023

Sunday Documentary - Charles Bradley - Soul Of America (2012) 1 Hour 14 minutes

 The incredible rise of 62-year-old aspiring soul singer Charles Bradley, whose debut album rocketed him from a hard life in the Brooklyn Housing Projects to Rolling Stone Magazine's top 50 albums of 2011. Starting off on his 62nd birthday, "Charles Bradley: Soul of America" follows the extraordinary journey of singer Charles Bradley during the electrifying and transformative months leading up to the release of his debut album "No Time for Dreaming." The documentary premiered at the SXSW 2012 Film Festival in Austin, Texas. Despite being abandoned as a child, a period of homelessness, the devastating loss of his brother and constant poverty, Charles never gave up on his life long dream to be a professional singer. With the help of producer and Grammy-winner Gabriel Roth (Daptone Records) and musician Tommy Brenneck, Charles moved away from the James Brown covers he'd been performing for nearly half a century and focused on finding his own unique voice. Earning himself an opening spot on tour for Sharon Jones, the biggest artist in the Daptone stable, Charles delivered the most impassioned performances of his life. Coming up during one of the worst economic downturns in history, Charles' heartfelt songs about tragedy, the downfall of the American dream, and hope for a better world resonated with audiences and the future he'd been chasing for 48 years was starting to become a reality. But, while experiencing his first taste of success, Charles couldn't escape the adversity that had followed him since birth. When the oppressive mortgage on his 87-year-old mother's house threatened to cost him everything, Charles hit a new low. And then, following his sold out album release, Charles' life changed completely. Championed by critics and fans alike, "No Time For Dreaming" became one of the best-selling independent records of the year, landing on Rolling Stone magazine's top 50 albums of 2011 and securing Charles coveted spots on late night shows with Jay Leno and Carson Daly. Scoring more than 1.5 million views online, his music video was quickly snatched up by VH1 and bookings began pouring in. In the time since his incredible debut, Charles' star has continued to rise. He tours the world almost year-round to growing crowds, pouring his soul out at each show as if it's his last and stepping off stage to give out teary-eyed hugs and acknowledge the miracle of the journey that Spin calls "...utterly amazing."

AMM


                                                         Review Good For 7 Days Only

Saturday, January 28, 2023

Jasmine 0213 - Roy Hamilton - Don't Let Go (2012) Rare Gospel/R&B/Soul (FLAC)

Here you get 4 complete albums featuring gospel, R&B and classic American songbook numbers and includes rocking classics like 'Don't Let Go' and 'You Can Have Her'. Although Roy had a relatively short career he has made a lasting influence on future generations and his song 'Abide With Me' was featured in the 2012 Olympic ceremony as well as being sung every year at the English F.A.Cup Final.Roy was born 1928 Leesburg, Georgia, & passed 1969, New Rochelle, New York. Hamilton’s booming baritone voice made him a 50s hitmaker singing gospel flavoured pop songs. In the late 40s Hamilton honed his singing skills in a church choir and as a member of its offshoot quartet, the Searchlight Singers. He won a talent contest at the Apollo Theatre in 1947, but it was not until 1953 that he was discovered singing in a New Jersey club by Bill Cook, an influential local disc jockey who became the singer’s manager. Hamilton’s very first record for Columbia Records’ subsidiary Epic, ‘You’ll Never Walk Alone’, became an R&B number 1 and national US Top 30 hit in 1954, and it shot Hamilton to fame (the song would also later become a UK hit for Gerry And The Pacemakers in 1963). There followed for Hamilton a long string of singles that reached both R&B and pop audiences, notably ‘If I Loved You’, ‘Ebb Tide’ and ‘Hurt’ (all three 1954), and ‘Unchained Melody’ (an R&B number 1, 1955). Hamilton’s songbook was built from the most popular entertainments of the day; ‘You’ll Never Walk Alone’ and ‘If I Loved You’ were two Rodgers And Hammerstein songs taken from their musical Carousel, and ‘Unchained Melody’ came from a Warner Brothers film, Unchained. Hamilton retired during 1956-58 owing to exhaustion, but when he came back he had adopted the harder gospel sound of his youth to compete with rock ‘n’ roll and the emerging soul sound. Hamilton was “one of Elvis's chief vocal inspirations,” according to Presley's biographer Peter Guralnick. Back to Roy,Best reflecting the change in style were the singles ‘Don’t Let Go’ (1958) and his last hit record, ‘You Can Have Her’ (1961), plus the album Mr. Rock And Soul in 1962. The Epic label treated Hamilton as a major pop star and issued 16 albums by the artist. During the mid-60s, his career sank while recording with MGM Records and then RCA Records. Yet he attained legendary status in the UK northern scene with his many superb records. Sadly he died after suffering a stroke in 1969.   

AMM/OSR

 


                                                                      Oldsoulrebel

 

                                                                 The Northern Tasters!   

 

                                                                          


       

 




Jasmine 3047 - Slim Harpo - I'm A King Bee (2015) Rare Swamp Blues/R&B (FLAC)

For a blues name as popular as Slim Harpo he recorded quite a limited, or should I say, 'slim' body of work. Here Jasmine features all his commercially released recordings between 1957 and 1961 including his hit 'Rainin' In my Heart'. Includes the original versions of songs that went on to be covered by British bands of the sixties. The Rolling Stones made 'I'm a King Bee' famous, whilst The Yardbirds and The Kinks did 'Got Love If You Want It' and Van Morrison's Them recorded 'Don't Start Cryin' Now'.As Mick Jagger once said 'What's the point in listening to us doing 'I'm A King Bee' when you can hear Slim Harpo do it?'...Slim was born in 1924 in Louisiana and passed in 1970. He only recorded 5 studio albums which was a crying shame for such a talent.

AMM


                                                                       The Tasters!





Friday, January 27, 2023

Laura Lee - Supreme Soul Diva (2012) Backbeat(Backbart 002) - Rare soul (FLAC)

From one of my fave labels comes this gem. The 10th album reviewed from the Backbeats(V.A.)..Backbart (Artists) catalogue. One of THE great under exposed soul divas,along with millie jackson & shirley brown this lady belted out soul straight from the heart. This album captures her best tracks on the Hot wax/Invictus labels..known on the northern scene for "to win your heart" the vocal to "festival time" on the Ric Tic label...Laura was born in Chicago in 1945, but as a child moved to Detroit with her mother. The founder of a leading gospel group, Ernestine Rundless of The Meditation Singers was a trusted mentor. Featuring Della Reese, they were the first Detroit gospel group to perform with instrumental backing. The group recorded on the Specialty label in the mid-1950s, appeared on the LP Della Reese Presents The Meditation Singers in 1958, and in the early 1960s recorded for Checker Records. As Laura Lee Rundless, she replaced Reese in The Meditation Singers in 1956, and over the next few years toured widely around the country. In 1965, as Laura Lee, she launched her secular solo career as an R&B singer in clubs in Detroit, although she also continued to record occasionally with The Meditation Singers. She first recorded solo for Ric-Tic Records in 1966, with "To Win Your Heart". Around this time, she recorded an interesting uptempo adaption of an unreleased Little Richard song, "You'd Better Stop", titled "Stop Giving Your Man Away". A typically "mature " philosophical side by Laura. The following year, she signed with Chess Records and, after initially recording in-house with the label's producers in Chicago, it was decided to send her to Rick Hall's FAME Studios in Muscle Shoals to record "Dirty Man". This became her first hit, reaching #13 R&B and #68 pop. She stayed with Chess until 1969, also recording "Up Tight Good Man" (#16 R&B) and "As Long As I Got You" (#31 R&B).A short spell with Atlantic subsidiary, Cotillion resulted in two singles and then in 1970, Lee moved to former Motown producers, Holland, Dozier and Holland's newly established Hot Wax label in Detroit. One of her first recordings for Hot Wax, "Women's Love Rights", became one of her biggest hits, reaching #11 on the R&B chart in 1971 and #36 pop. In 1972, "Rip Off" became her biggest R&B hit at #3 but only climbed to #68 on the Billboard Hot 100. She also recorded an album, Two Sides of Laura Lee, while in a relationship with singer Al Green. Most of her material on Hot Wax was produced by William Weatherspoon, formerly with Motown. Lee left Invictus / Hot Wax in 1975 and signed with Ariola Records, but became seriously ill shortly afterward and retired from the music industry for several years. She returned in 1983 with a gospel album, Jesus Is The Light Of My Life, on which she worked with Al Green. By 1990 she was recovered from her illness and had been ordained as a minister. She has continued recording music, mostly gospel. I made it a rule to buy anything by this great lady with that killer voice, this is a superb accolade to her years at Hot wax. Still loved on the northern scene for "Rip Off" & "To Win Your Heart"

AMM

                                                                     The Tasters!

 




Barbara Randolph The Collection (2003) Spectrum - Rare Soul (Flac)

Barbara Randolph's solo Motown recordings of which only three were ever released at the time of recording. Incredible really. Most are covers of other Motown recordings but the quality is just as good.

Oldsoulrebel
 





The Tasters! 



















Thursday, January 26, 2023

Various Artists - Deep & Gritty The Sound Of The City Volume 5 - New York Part Two (2013) + Mini Booklet - (MP3) HQ - Rare Soul


                                                                       The Tasters!



     

Oldsoulrebel    

Various Artists - Deep & Gritty The Sound Of The City Volume 6 Chicago Part Two (2013) + Mini Booklet (MP3) HQ - Rare Soul


 

                                                                        The Tasters!

 


Oldsoulrebel

Various Artists - Deep & Gritty The Sound Of The City Volume 7 Los Angeles Part One (2013) - + Mini Booklet (MP3) Rare Soul

 

                                                                       The Tasters!






Oldsoulrebel

Dancin' Cat Volume 189 - The Northern Soul Collective 25 - (MP3) HQ - Rare Soul


                                                                        The Tasters!





Dancin' Cat Volume 190 - The Crossover Connection 18 - (MP3) HQ - Rare Soul


                                                                       The Tasters!





Dancin' Cat Volume 191 - The Modern Soul Connection Volume 8 - (MP3) HQ - Rare Soul

                                                                    The Tasters!






Wednesday, January 25, 2023

Gloria Jones - Come Go With Me - LP (1966) Uptown CD (2017) Oldays Japan (Includes Bonus Tracks) - Rare Soul (FLAC)

Gloria Jones was born Gloria Richetta Jones in Cincinnati, in 1945, and when her family moved to Los Angeles seven years later, the young Jones began learning to play classical piano and sang gospel music at her local Church Of God In Christ. When she was 14, she helped form her first gospel singing group  no doubt pleasing her minister father  and what a line up it turned out to be! The group included organist Billy Preston, future gospel/soul superstar, Andraé Crouch and his twin sister Sandra Crouch; a pair of future Motown artists, Sondra “Blinky” Williams and Frankie Kahrl; and Edna Wright, who would become the lead singer of 70s soul trio Honey Cone. The group named themselves The Cogics (after The Church Of God In Christ) and recorded an LP, It’s A Blessing, released in 1964 on the Vee-Jay subsidiary Exodus Records, which included the future gospel standard “It Will Never Lose Its Power.”Even before that album, Gloria Jones was singing background vocals in recording studios around LA, including Motown’s West Coast branch, where she began writing, producing, and arranging songs. That led to a production deal with Ed Cobb, who wrote and produced Jones’ first singles for Vee-Jay’s Champion label, starting in late 1964 with ‘My Bad Boy’s Coming Home’, which featured ‘Tainted Love’ on the flip side. A 1966 single “Heartbeat Part 1,” got some chart action, reaching the Bubbling Under The Top 100 section of the Billboard chart and earning some television spots on Dick Clark’s Where The Action Is. Jones’ first solo LP, Come Go With Me, came out on Capitol’s Uptown label that same year. With no hits to her name, she began touring as a background singer for major acts like Joe Cocker. In the late 60s, she also joined the LA production of Hair, during which she met Marc Bolan of T.Rex, who were on the verge of stardom as early avatars of glam rock. The two had instant chemistry. All the while, she continued working at Motown, forming a writing and producing team with Pam Sawyer. Major Motown acts – Jackson 5, David and Jimmy Ruffin, Eddie Kendricks and Commodores all recorded their compositions, and the duo wrote hits for Four Tops (‘Just Seven Numbers’), Marvin Gaye and Diana Ross (‘My Mistake’). But their biggest success would be “If I Were Your Woman” for Gladys Knight And The Pips, on which they collaborated with Clay McMurray and received a Grammy nomination in 1971. Jones and Sawyer then wrote and produced what journalist and Motown historian Adam White has called “one of the most stunning performances ever recorded by Marvin Gaye”, an unreleased triumph, “Piece Of Clay.” Recorded in 1972, it remained in the can until 1995 when it surfaced on a Marvin Gaye box set, The Master. It has recently re-emerged on the “lost album”, You’re The Man. Who knows how Jones’ writing and producing career might have flourished had this record been released? But she had already moved onto other projects that included recording her own album for Motown, the adventurous Share My Love, on which she wrote and co-wrote eight of its nine tracks. Integrating classical, rock, soul, reggae, flamenco, and more, Jones’ hard gospel voice delivered a tour de force. Just as the album was released in 1973, however, Gloria Jones decamped to England to join Bolan (who she’d call her soul mate) as a background singer and keyboardist with T.Rex. Without touring to support Share My Love, the record flopped commercially. Years later, critic Rashod Ollison called it “a lost masterstroke of the era, a dazzling showcase for a passionate artist who, with no regrets, chose love over fame.” Bolan encouraged Jones to restart her solo career, especially after “Tainted Love” began filling dancefloors. He produced her strong 1976 album, Vixen, which combined soul and rock elements in another eclectic outing, including two different versions of T.Rex’s “Get It On,” an achingly slow version of Bessie Banks’ “Go Now,” the Motown-ish “Would You Like To Know” and an updated version of “Tainted Love.” The following year, Bolan died in a car crash with Jones at the wheel, leaving her with their son. She returned to California to record the album Windstorm and dedicated it to him. After the boost she received from Soft Cell’s “Tainted Love” cover, she recorded periodically, including a reunion album with The Cogics in 1984.She did spend some time in Africa but relocated back to her family in Los Angeles. She is a legend in the UK with the Northern Soul folk and pops back now and again to do gigs.

AMM


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Kent 511 - Various Artists - Loma Northern Soul (2023) + Booklet - Rare Soul (Flac)

The long awaited Kent release from the vaults of Loma and what a great CD it is. Loma has been one of my favourite labels for nigh on 50 years so to hear tracks recorded in 1966 & 1967 for the first time is something really special

Oldsoulrebel


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The Staple Singers - Soul Folk In Action (1968) Stax - Rare Soul/Gospel

This was the debut album by this iconic group on Stax Records where they started to move away from their gospel roots into the blossoming soul market where they would flourish and find stardom. Pops Staples and his three singing daughters Mavis, Yvonne, and Cleo have come a long way from the main part of Mississippi. From their gospel beginnings through the folk rock era to their soul music peak, the Staple Singers have traveled a long, artistically rich road into the mainstream of American music. Roebuck Staples was born in 1915 in Winona, Mississippi, where he grew up with hard times and the blues, his singing and guitar style influenced by country bluesmen Barbecue Bob and Big Bill Broonzy. But Roebuck found the Lord and joined a jubilee quartet called the Golden Trumpets. Roebuck, his wife Oceola, and their two children, Cleotha and Pervis, moved north to Chicago in 1936, where Yvonne and Mavis were born a few years later. Singing in a Southern quartet style usually performed by all-male, adult groups, the Staple Singers began appearing at local churches in 1948. Mavis, then age seven, handled the bass parts. By 1954, Pops, Mavis, Cleo, and Pervis (Yvonne replaced him many years later) landed a contract with Chicago’s United label, cutting a number called “Sit Down Servant.” Pop’s thin, winsome tenor shared the lead with Mavis’s deep, throaty tones, as they have done ever since, although her unique contralto voice had not developed the emotional edge it was soon to have. The record failed to catch on, though, perhaps because Pops’ reverberating down-home guitar, which would become an-other trademark of their style, was overshadowed by a rinky tink piano. The Staple sound did click in a big way when their haunting 1957 Vee-Jay recording of “Uncloudy Day” became a nationwide gospel hit. Others followed, including “Will the Circle Be Unbroken,” “Help Me, Jesus,” and “Swing Down Chariot (Let Me Ride”), established the Staples as one of America’s top gospel attractions. They were signed to Bill Grauer and Orrin Keepnews’s Riverside jazz label in 1962 when the folk music boom was in full force. The group was beginning to pick up college bookings, in addition to their religious dates. While at Riverside, they were the first black artists to record material by Bob Dylan. Their following continued to expand when they moved to the Epic label, where they became identified with social protest songs like “Freedom High-way” and “Why? (Am I Treated So Bad),” both penned by Pops, and Stephen Stills’s “For What It’s Worth.” (The latter two were produced by rock and roll legend Larry Williams.) When the Staples joined Stax in 1968, they were working alongside major rock acts at places like the Fillmore West and East. The first two Stax albums, produced by Steve Cropper, continued in the folk vein, but their third, The Staple Swingers, offered a bold new direction of hip soul “message” songs. It was produced in Muscle Shoals, Alabama, by Al Bell, as was their next, Be Altitude: Respect Yourself. Be Altitude broke the Staple Singers wide open. “Respect Yourself,” written by Mack Rice and Luther Ingram, reached the Number Two position on Billboard’s soul chart, while Al Bell’s “I’ll Take You There,” with its infectious reggae like beat, hit Number One soul and pop. There were more hits at Stax-“Oh La De Da,” “If You’re Ready (Come Go with Me),” and “Touch a Hand, Make a Friend” before they moved on to Warner Bros., where they scored with Curtis Mayfield’s soundtrack to Let’s Do It Again. Changing their name to “The Staples” and adopting a more secular image, the group cut albums produced by fellow Chicagoans Curtis Mayfield and Eugene Record. In all they recorded 28 studio albums and over 100 45,s...Pops Staples passed sadly in 2000...My personal opinion is they are essential for anybody who loves Black music and are true Legends!..with the odd record or two poppin up on the northern dancefloors. After Otis Reddings version this Dock of The bay version is up there..awesome!

AMM


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